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A Stradivarius Of A Boat 

Built By North Country Carpenters

 
 

   by Willem Lange  

 
       When you see the real thing, there’s no question in your mind about it. The reaction is visceral, as well as aesthetic – like coming upon an exceptionally beautiful woman, listening to Mozart perfectly played or casting a dry fly to a large native trout.
       I came upon one last Saturday, a few miles west of Ely, New Hampshire. It’s owner had placed it in canvas slings to keep it up off the ground and show it to best advantage.
       The shape caught my eye from 50 yards away; it looked right, and the closer I got, the better it looked. The owner saw me caressing it and obviously slipping off into a reverie. “Would you like to take it out for a spin?”
      We carried to down to the pond. He settled the removable cane seats and slipped the lovely cherry oars into the old-fashioned cast locks. Sitting down on the low seat wasn’t as easy as I remembered it being, and I was nervous as a cat about getting away from the dock without a bump.
      But with the first stroke, it all came back. The oar handles crossed each other in front of me, right hand above left, with tremendous mechanical advantage. As I pulled they bit into the water and bent in satisfying arcs, making light sucking sounds on the surface.   The boat accelerated instantly, with no bow wave and only the tiniest wake trailing from its pointed stern. I was far from the youngest voyager on the lake, but I was easily the fastest. I rowed for half an hour, caught up in memories of boats just like this that I’d known more than 40 years ago. 

 

 

 

      The Adirondack guideboat, it’s called. It got its name sometimes after 1850 when sports and tourists discovered the Adirondacks and were taken care of by native guides, whose boats were as much a part of their work as are cameras to photographers.
      Ralph Waldo Emerson, visiting the mountains in 1867, wrote, “We chose our boats; each man a boat and guide, -- ten men, ten guides, our company all told.” The early boats were often rough and fairly heavy. But over time, the necessity of portaging them along with all the gear – as well as their guides’ desire to impress others with their craftsmanship – made them even lighter, graceful and beautifully finished.
      They’ve never spread much beyond their original home, though an odd one will turn up now and then in the most unlikely place. During the Second World War, an American infantry platoon, trying to cross a German river under fire, mustered all the small boats it could find and, to its great surprise, came up with a genuine “Long-Laker,” which a young soldier from northern New York could row.
      I saw my first one in the mid-50’s, when I went to work at a private forest preserve in the Adirondacks. There were dozens of them in the boathouses of the preserve, from a tiny 1874 cockleshell with a graceful wineglass stern to 18 foot freighters. With their tumblehome stems, they looked like the battleship Maine. For me, it was love at first sight. I rowed my “people” and their gear up and down the lakes in the sleekest boats, took them fishing in the more stable, and carried freight – shingles, bags of cement and lumber – in the big ones. Once an older guide and I hauled a huge load of building materials by stacking the long lumber across the gunwales of two boats side by side, piling roofing on top of it, and rowing up the lake with one oar each.
       Describing how they were built and what materials has been the subject of books, but for obvious reasons, they were almost all native material. The ribs were split and sawed from the natural curve of spruce roots, dug up and dried after the loggers were gone. The planking was of the clearest quarter-sawn pine, shaved to sometimes less than a quarter of an inch thick. Stradivari himself, if he could have seen what rough woodsmen and north country carpenters were able to accomplish with the simplest tools, would have gnashed his teeth with envy.
       They were wonderful for fishing – as long as the sport didn’t insist on standing up to thrash his fly rod back and forth. They were just a little cranky, and the smallest ones in particular would give an alarming lurch if you so much as lightly eased one bun on the seat. One old guide had a boat that he said was “just lovely to row, but if you’re chewing gum, you wanta have a chew in each cheek.” But because the oarsman usually moved to the front seat when he had a passenger or a fisherman in the back, the distance between them was handy if the passenger wished the guide to change his flies for him. It was not handy if they wished to share some lunch or a swig from a flask.
      Mother and I took our honeymoon in a guideboat, rowing up a perfect mountain lake to its inlet, then switching to a paddle to take us the next mile or so to a derelict hunting camp. A photograph of that boat, pulled up on its dock, is an irresistible mix of grace and poignancy.
      Well, all that was long ago, and until last Saturday I’d rowed a guideboat only once, several years ago, since then. But I remembered that, like people, you can only guess by looking at them how sweet they’ll be. Some beauties turn out to be barges, and some very plain ones are so much fun to row that you never get down to fishing.
       This one looked sweet—modern materials and techniques, traditional lines, varnish on cedar boards as golden as maple syrup. And then the smooth run, the soft suck of the flexing oars, the shore skimming past…..Oh, my! It’s one of those experiences in life that, if you aren’t able or likely to do them anymore, are just wonderful to have done once upon a time.
 

 

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